An Unflinching Look at Odumodublvck’s Album, THE MACHINE IS COMING
Odumodublvck’s latest album, THE MACHINE IS COMING, comes with all the anticipation and hype one would expect from a rising star in the Nigerian rap scene. Known for his raw energy and unfiltered lyricism, the rapper offers an album that reflects his bold, energetic style. However, does THE MACHINE IS COMING live up to the buzz, or does it fall short despite its electrifying moments?
While Odumodublvck’s raw delivery and captivating energy shine through, there are moments where the project feels like it could have gone even further, exploring deeper themes or showcasing a bit more versatility. This album review takes a closer look at whether the album, THE MACHINE IS COMING, truly matches the hype or if the hype has overshadowed the project’s potential.
Track-by-Track Breakdown: Unpacking the Energy and Depth of THE MACHINE IS COMING by Odumodublvck
In this track-by-track review, we dive into the intricacies of THE MACHINE IS COMING by Odumodublvck, exploring each song’s unique contribution to the album. From bangers that showcase Odumodublvck’s trademark energy to tracks that hint at his emotional depth and versatility or maybe those who could have even done better on, we’ll dissect how each piece fits into the bigger picture of this much-hyped release.
Does every song on THE MACHINE IS COMING album deliver on the promise, or are there moments where the energy doesn’t quite match the expectations? Read on, and let’s explore.
LEGOLAS – A Coolheaded Banger That Hits Hard
Odumodublvck opens THE MACHINE IS COMING with LEGOLAS, a track that immediately sets the tone for the album – but with a twist. While fans have come to expect unfiltered aggression and high-tempo delivery from him, LEGOLAS sees the rapper take a slightly more composed, coolheaded approach without losing his edge. There’s a calm confidence in his voice, almost like a warrior who knows he’s already won the battle.
Sonically, the production leans into a steady, bass-heavy rhythm that gives room for his punchy lines and streetwise lyrics to breathe. It’s a masterclass in measured delivery – not rushed, not overly aggressive, just calculated swagger.
Lyrically, Odumodublvck plays with themes of self-assurance, legacy, and untouchable status. The title LEGOLAS – referencing the iconic archer from The Lord of the Rings – is fitting, as he positions himself as sharp, precise, and unfazed by distractions around him.
Unsurprisingly, the track, LEGOLAS, is already making waves, topping charts in Nigeria and resonating with both longtime fans and new listeners. If there’s any track that feels like a clear hit from this project, LEGOLAS makes a strong case – a standout that balances composure with impact and firmly announces that THE MACHINE has, in fact, arrived.
TOY GIRL (ft. Juno & Valentino Rose) – A Melodic Detour That Disrupts the Momentum
Coming right after the explosive energy of LEGOLAS, TOY GIRL feels like an unexpected shift – and not necessarily in the best way. Featuring Juno and Valentino Rose, the track leans heavily into a smooth Afrobeats vibe, with sweet melodies and a romantic tone that feels worlds apart from the hard-hitting opener.
While the song, TOY GIRL, itself isn’t bad – in fact, it has a catchy groove and a clean, well-produced feel – it softens the momentum built by the first track. Odumodublvck switches from his signature gritty rap style to a more laid-back, almost sing-song delivery, which might showcase his range but feels oddly placed this early in the project.
As a mid-to-late track, TOY GIRL could have served as a refreshing break or a nice moment of emotional lightness. However, slotted as the second track, it disrupts the aggressive tone set by LEGOLAS and could leave listeners wondering where the album is headed. That said, the collaboration brings a different flavor, and fans of mellow Afrobeats may still find it enjoyable – just not the strongest follow-up in the context of the album’s pacing and intended theme.
EARLY MORNING – A Melodic Drift That Leaves Hardcore Fans Wanting More
On this track, EARLY MORNING, Odumodublvck continues down the melodic path introduced in the previous track, holding on to his Afrobeats-inspired vibe with a touch of dancehall flair. He kicks off the song with a burst of energy that hints at a return to his gritty rap roots – but that energy fades quickly as the track slips into smoother, more rhythmic terrain.
For listeners expecting a raw, bar-heavy experience, this might feel like another letdown. The grit, the fire, and the confrontational tone that define Odumodublvck’s signature sound are noticeably absent here. Instead, he coasts through the track with a lighter touch, focusing more on vibe than lyrical intensity.
The song’s brevity adds to the mixed feelings – it almost feels like a teaser, a fleeting idea that never fully materializes. While it might have been intended to leave listeners wanting more, the real question is: will they? For casual listeners or fans of genre-blending, EARLY MORNING might be a smooth, easy listen. But for the core hip-hop heads who came for the machine – this track might feel more like a detour than a destination.
PITY THIS BOY (ft. Victony) – A Pre-Released Gem That Lives Up to the Hype
PITY THIS BOY is not just a standout – it’s currently the biggest track on THE MACHINE IS COMING, and for good reason. Pre-released ahead of the album, the song quickly caught fire, building anticipation for the full project. Featuring the ever-versatile and beloved Victony, this track blends melody and emotion in a way that feels both polished and powerful.
Odumodublvck once again leans into his singing side, but unlike earlier attempts on the album, this one clicks. There’s a balance – his melodic delivery is laced with vulnerability and personality, yet he still sneaks in bursts of the sharp, witty rap fans love him for. It’s that duality that keeps PITY THIS BOY exciting.
Victony’s contribution can’t be overstated – his vocals soar, giving the track a heartfelt, emotional weight that elevates the entire experience. The chemistry between the two artists is seamless, and it’s clear this isn’t just a feature for the sake of numbers – it’s a genuine collaboration.
With its catchy hook, layered production, and replay value, PITY THIS BOY is a certified gem and a much-needed highlight that brings momentum back to the album. It proves that Odumodublvck can fuse melody and lyricism in a way that feels complete – without losing the essence of what makes him stand out.
WAGE WAR – A Return to Form with Swagger and Intent
With WAGE WAR, Odumodublvck bounces back to familiar territory – gritty flows, confident bars, and that signature braggadocio that fans have come to rate him for. Much like the explosive Legolas, this track brings back the raw energy that many listeners may have been craving after the project’s melodic detours.
Though it may not be enjoying the same level of attention or chart success as LEGOLAS, WAGE WAR plays a vital role in the album’s structure. It reintroduces the machine mode Odumodublvck is known for – bold, unapologetic, and lyrically assertive.
Throughout the track, he proudly flexes his success, name-dropping his “loved swag” and confidently reminding everyone that he’s a chart-crasher. There’s a rhythm to his flow that feels natural, almost effortless, making the track an enjoyable listen for those who miss the tougher, no-holds-barred Odumodublvck.
WAGE WAR doesn’t just fill a spot on the tracklist – it restores balance. It’s a well-placed reminder that while he’s experimenting with melody and range, Odumodublvck still knows how to bring the heat when it matters.
GO REPORT – Full-Throttle Energy That Matches the Album’s Spirit
Now, this is more like it. On GO REPORT, Odumodublvck comes in guns blazing, delivering one of the most aggressive and unrelenting performances on the album. The fierce energy he brings here is exactly what the project’s title – THE MACHINE IS COMING – suggests. It’s confrontational, unapologetic, and aimed directly at the so-called opps.
From the jump, Odumodublvck sounds like a man on a mission. His delivery is sharp, his tone intense, and the message is clear: he’s not here to play. The beat feels like a war anthem, perfectly complementing his militant bars and making it easy to imagine the rapper storming through the industry with this track as his soundtrack.
Unlike the earlier songs that experimented with melody or leaned into Afrobeats, GO REPORT sticks to the script – and that’s what makes it stand out. It aligns perfectly with the album’s core theme: power, dominance, and the unstoppable arrival of a force to be reckoned with.
This track isn’t just a fan favorite – it’s one of the moments where the “machine” fully arrives, loud and clear.
ISAKABA MAN (ft. Rondodasosa) – Unfiltered Fury with Global Appeal
ISAKABA MAN picks up the baton from GO REPORT and charges forward with even more ferocity – maybe even to a fault. It’s loud, chaotic, and aggressively unrelenting. Odumodublvck is clearly in his bag here, rapping like he has something to prove, and he doesn’t hold back for a second.
To the hardcore fans, this is peak Odumodublvck – raw, untamed, and completely immersed in his warlike persona. There’s a recklessness to the delivery that might throw off new listeners or casual fans, but to the cult following he’s built, this is exactly the kind of rage-fueled intensity they live for.
What makes ISAKABA MAN even more notable is the backstory – a leaked snippet of the making of the song once circulated online, and Odumodublvck caught some mockery for it. Fast forward, and it’s safe to say he silenced the doubters. The final version of the track is explosive, and he bodied it with confidence and flair.
The feature from Rondodasosa, the Italian drill star, is a major plus. His verse brings an international flavor and a smoother but equally charged energy that gives the song balance. It’s a perfect match – Rondodasosa’s unique sound blends beautifully with the chaos Odumodublvck brings, making ISAKABA MAN not just an aggressive anthem but also a banger with global appeal.
This is one of those tracks where Odumodublvck isn’t just showing up – he’s proving a point and doing it with high spirits and high heat.
BALLON D OR – A Sweet Groove That Could’ve Been a Superstar Moment
As we approach the halfway point of The Machine Is Coming, BALLON D OR slides in with an effortlessly catchy rhythm that feels like a breeze of smooth Afrobeats warmth. It’s short – almost teasingly so – but its groove is undeniable. Odumodublvck taps back into his melodic side here, serving up vibes that are easy on the ears and heavy on replay value.
Once again, the “singing rapper” persona comes to the forefront. But unlike earlier attempts that felt like departures, here he seems more in control, blending his melodic delivery with pockets of rap that don’t feel forced. It’s the kind of track that shows he’s still experimenting – and evolving – with how he balances his grit with commercial appeal.
Still, there’s a lingering “what if?” that hangs over BALLON D OR. The vibe is so rich, you can’t help but imagine how much bigger it might have felt with a feature from one of Afrobeats’ elites – Wizkid, Rema, or even Burna Boy. That extra layer could’ve elevated this track into a full-fledged hit.
That said, BALLON D OR is still a ridiculously good rhythm on its own. It’s smooth, infectious, and brings some emotional depth to the project while keeping that machine humming in a different gear.
KYLIAN – Street Bop Meets Mad Bars to Kick Off the Second Half
KYLIAN marks the start of the second half of THE MACHINE IS COMING, and Odumodublvck makes sure the energy doesn’t dip. This track is a cool, confident, and catchy anthem that perfectly blends street pop swagger with sharp, punchy rap lines – a sonic tribute to none other than Real Madrid’s in-form superstar striker, Kylian Mbappé.
From the get-go, Odumodublvck sounds locked in, delivering a smooth but impactful performance that reflects the pace and precision of the footballer he references. There’s a deliberate rhythm to the flow, a steady confidence that mirrors Mbappé’s calm but deadly finishing on the pitch.
The production is breezy and melodic, creating a perfect bounce that Odumodublvck rides with ease. His bars carry street wit, while the hook brings that replay-worthy charm fans have come to love. Even before the album dropped, the snippet of KYLIAN had fans buzzing thanks to its infectious melody and catchy lines – and the full version lives up to the hype.
This track feels like a celebratory reset – a strong, vibrant start to the second half of the project that reminds listeners why Odumodublvck stands out. It’s not just a song; it’s a vibe with lyrical bite and a clear nod to greatness, both on the mic and on the pitch.
BTC (ft. Bobby Ibo, Sabinus & Afroselecta-BBK) – Love, Flex & Vibes With the Mandem
BTC sees Odumodublvck dive into a space where romance meets bravado, and he does it with the same aura and charisma that’s become a signature of this album. He’s clearly feeling himself, ready to flex on his girl with everything he’s got, and the way he rides the beat – starting off with a melodious hook – makes the song instantly catchy.
What’s interesting about BTC is how it balances soft affection with rugged energy. At first, it seems like a sweet, vibey love track, but as Odumodu’s verses unfold, his aggression kicks in as he brags about pulling up with his men – keeping that street edge alive even in a romantic context.
His delivery is smooth but full of attitude, and the featured acts hold it down impressively. Bobby Ibo comes through with a beautiful verse that fits the track’s tone perfectly, adding a refreshing perspective. Sabinus, known for his humor, provides light-heartedness without breaking the vibe, and Afroselecta-BBK’s production keeps everything tied together with a rhythm that’s both danceable and intense.
Overall, BTC is one of those tracks that showcases Odumodublvck’s range and confidence, merging themes of love, loyalty, and street pride into a single, well-executed banger.
AJEBO HUSTLERS (ft. Ajebo Hustlers & DanDizzy) – A Street Pop Salute Turned Hip-Hop Masterclass
With a title like AJEBO HUSTLERS, expectations were already high – and Odumodublvck does not disappoint. The track plays out as both a tribute to the iconic Nigerian duo and a powerful hip-hop statement, delivering some of the most compelling rap energy on the entire project.
Odumodublvck kicks things off by channeling the hustle and street credibility that Ajebo Hustlers represent. His delivery is crisp, confident, and laced with respect as he skillfully matches their vibe without losing his identity. It’s a smart homage – bold but not overreaching.
And yes, Ajebo Hustlers themselves are featured, and they deliver an amazing verse, adding their signature flair and street pop finesse. Their appearance not only validates the tribute but also elevates the track, bringing a seamless fusion of Afropop groove and streetwise lyricism.
To top it off, DanDizzy jumps in with a verse that further sharpens the track’s edge. His flow is tight, clever, and full of charisma – the kind of performance that proves why he’s quickly becoming one of the most respected voices in Nigerian rap.
Altogether, AJEBO HUSTLERS is a standout collaboration where everyone brings their A-game. It’s raw, real, and a perfect example of how Nigerian rap can blend homage, hype, and heavy bars in one go.
BARRISTER TOFO (ft. Fatboy E & Falz) – Playful Energy, Light Bars, and Dancehall Vibes
BARRISTER TOFO switches up the mood once again, showing Odumodublvck in a more playful and cheeky element. While it’s an okay jam overall, it may not hit the mark for those seeking a solid hip-hop experience from the project. The rap takes a backseat here as Odumodu leans into naughty, witty lines with a delivery that’s more about vibe than bars.
The sound leans heavily into dancehall, offering bounce and rhythm, but lacks the lyrical grit or complexity expected from a standout rap track. That said, the song still manages to entertain, thanks to its infectious energy and engaging production.
The featured acts, Fatboy E and Falz, help lift the track with their contributions. They slide in with their own stylized rap verses, adding flavor and charisma. Falz, in particular, brings his signature blend of satire and slick rhymes, while Fatboy E holds it down with raw charm.
While BARRISTER TOFO may not be one for the purist rap heads, it succeeds as a fun, danceable track that keeps the album versatile and engaging. It’s Odumodublvck letting loose – not every track has to be heavy, and this one brings that light-hearted detour.
PUSSY NIGGAZ – A Freestyle Energy That Misses the Mark
As provocative as the title PUSSY NIGGAZ is, the track doesn’t quite live up to the intensity it promises. Odumodublvck takes shots at “weird niggas who don’t act right,” but rather than coming across as a sharp diss or a gritty takedown, it feels more like a loose freestyle over a drill beat.
He attempts to bring that menacing, high-energy tone, but it doesn’t quite land – not because the beat isn’t hard, but because the delivery feels rushed and the bars don’t hit with much weight. Instead of locking into the pocket and riding the drill production with intention, Odumodublvck seems to be more playful than piercing, throwing in jabs that don’t fully connect.
The track lacks cohesion, and compared to the stronger, more deliberate tracks earlier on the album, this one feels like filler – something tossed in to keep the energy up but without much thought or structure.
It’s a reminder that while Odumodublvck thrives in his raw, unfiltered style, unpolished doesn’t always mean powerful. Some fans may enjoy it for the chaotic vibe, but as a rap song, PUSSY NIGGAZ doesn’t leave much of an impression.
JUJU (ft. Smur Lee & Shallipopi) – A Viral Banger That Still Holds Power
As THE MACHINE IS COMING nears its closing stretch, JUJU gives the project a revitalizing boost. Originally released last year to viral success, this track remains one of Odumodublvck’s most celebrated hits, and its inclusion on the album feels not only strategic but well-deserved.
From the jump, Odumodublvck owns the beat – gliding effortlessly with confident rap lines, heavy aura, and a melodic tone that still keeps him grounded in his signature grit. There’s a balance here that showcases him at his best: commanding the sound without overpowering it.
His featured guests, Smur Lee and Shallipopi, also deliver with style. Smur Lee slides in smoothly with his street-flavored energy, while Shallipopi adds his unmistakable flavor and bounce, keeping the vibes high and the track fun.
When it first dropped, JUJU was impossible to ignore, and its replay value hasn’t faded. It’s one of those songs that defines a moment and still finds a solid home on the album, making it a perfect addition even for fans who’ve heard it before. Still banging, still relevant, and still a hit.
RAMADAN KAREEM (ft. Tolibian & BOJ) – A Festive Vibe, But an Odd Fit
RAMADAN KAREEM is another previously released track that went viral, especially around the end of the Muslim fasting season. Its celebratory and light-hearted tone made it a fan favorite at the time, thanks largely to its catchy fuji-inspired rhythm and entertaining delivery.
That said, within the context of THE MACHINE IS COMING, the track feels a bit out of place. Odumodublvck doesn’t do much heavy lifting here – his singing rapper persona shows face again, but he takes more of a backseat while the features shine. BOJ, in particular, absolutely bodies the song with his silky smooth fuji vibes, giving it a soulful street edge. Tolibian also adds his flair, helping bring that celebratory energy to life.
While it’s undoubtedly a fun and enjoyable listen, the inclusion of RAMADAN KAREEM on this project may leave some wondering if it was more about riding on the song’s prior success than offering something fresh to the album’s core narrative. Still, as a standalone track, it’s hard not to vibe to it – even if it doesn’t fully align with the machine’s march.
GASOLINE (ft. Vector) – A Fiery Outro That Deserves More Flowers
Odumodublvck closes THE MACHINE IS COMING with GASOLINE, and if we’re talking pure, unfiltered rap, this might just be the best track on the album. It’s raw, it’s reflective, and it’s loaded with lyrical weight.
From the jump, Odumodublvck acknowledges the criticism he’s faced – those who question his style or see him as too experimental or unserious. But he fires back with confidence, pointing to the numbers he’s pulling and the charts he’s topping. His delivery here is cooler, more calculated, almost as if he’s letting the pen do the talking, not the antics.
Then enters Vector, a certified rap heavyweight in Nigeria’s hip-hop history. His presence on this track is commanding – reminding everyone why he’s long been considered one of the best to ever do it. He doesn’t just feature; he elevates the track with a verse that’s both sharp and insightful.
It’s almost poetic: Odumodublvck softens his cadence, maybe out of respect, maybe out of strategy – but the result is a mature, polished performance that shows how well he can adapt when sparring with the greats.
Ironically, being the outro might have buried the song beneath the buzz of earlier bangers, but GASOLINE deserves more attention. It’s a lyrical gem and a proper mic-drop moment to end a project that had its ups and downs but certainly didn’t lack ambition.
Final Thoughts – A Machine in Motion, But Not Without Its Misfires
Odumodublvck’s THE MACHINE IS COMING is a bold, ambitious, and energy-charged debut that showcases both his raw star power and his stylistic unpredictability. Across 16 tracks, he takes listeners on a ride through melody, street grit, drill, Afrobeats, and unapologetic swagger – sometimes all in one song.
The album starts strong, with bangers like LEGOLAS, WAGE WAR, and GO REPORT reminding fans of the fiery and aggressive rapper that made Odumodublvck a name to remember. These tracks deliver exactly what many expected: street anthems with punchlines and personality. Midway, though, the album begins to flirt more with melody than bars, dipping into Afrobeats and dancehall territories that, while sonically pleasing, may leave hardcore rap heads a bit underwhelmed.
There are moments of brilliance – PITY THIS BOY with Victony, AJEBO HUSTLERS, and the final blow GASOLINE with Vector – where Odumodublvck finds the perfect balance between range and rap integrity. But there are also tracks like PUSSY NIGGAZ and TOY GIRL that feel more like filler than fuel for the machine.
Still, what’s undeniable is Odumodublvck’s commanding presence. He’s not afraid to try new things, bring in diverse features, or even laugh at himself. That fearlessness is part of what makes the album compelling, even if it doesn’t always hit the mark.
THE MACHINE IS COMING may not be perfect, but it confirms one thing: Odumodublvck is here, and he’s not slowing down. Whether you’re in for the bars, the melodies, or just the chaos, this machine is already moving – and everyone’s paying attention.
Ratings
Delivery: 1.8/2
Lyricism: 1.7/2
Relatability: 1.7/2
Mixing and Production: 1.8/2
Replay Value: 1.7/2
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Odumodublvck THE MACHINE IS COMING Album Review – Reviewed & Written by Peace Umanah
