Fans of Olamide‘s music might have been worried when the rapper announced that his last project “Unruly” might be his last project, however, these worries quickly disappeared when the rapper announced a surprise EP, “Ikigai Vol.1“. The 7-track EP where the artiste invites Nigerian artistes Lil Kesh, Young Jonn, Pheelz, Asake, Fireboy DML, and Moroccan/Algerian singer, Sabri, for outstanding performances is a clear depiction of Olamide’s ability to churn out memorable songs that represent his current state of mind.

“Ikigai Vol.1” is a cohesive and engaging project that not only satisfies long-time fans but also reaffirms Olamide’s position as one of Nigeria’s most versatile and talented artists. The EP’s varied sounds and themes demonstrate his ability to innovate while staying true to his roots, making it one of the standout release in his career. Check out the track-by-track review of “Ikigai Vol.1”

Metaverse – When “Metaverse” starts playing, listeners are immediately introduced to Olamide’s “Ikigai”. In this record, the artiste teams up with music producer Semzi for a blasting Street-Hop record. With lyrics like “mo ti pada de with the lamba”, Olamide reintroduces himself as one Nigeria’s most versatile artiste. “Ikigai” starts off on a refreshing start as the lyrics and beat are intoxicating and might draw music lovers to the dancefloor. This song also showcases Olamide’s ability to create remarkable songs.

Uptown Disco – For the next song, Olamide recruits Asake and Fireboy DML for an Amapiano record. One outstanding feature of this record is the chemistry between the artistes. No one overshadows each other as they all shine individually. The log drums scattered throughout the track enhance the impact of each artist’s braggadocious lines.

Makaveli – “Makaveli” is a track that expertly merges Amapiano and Afro-pop. In this song, Olamide aims to impress his love interest and boast about his achievements. With “Makaveli,” Olamide reveals a dual identity: he is both a suitor trying to woo a potential lover with material gifts and a confident artist standing up to his critics and hyping himself. The inclusion of saxophone and violin instrumentals adds a commendable touch to the song’s overall exquisite production.

Knockout – In “Knockout” retains his lover boy persona as he invites Moroccan/Algerian singer, Sabri to serenade listeners with her melodic voice. Unlike the previous Street-Hop records, “Knockout” portrays Olamide as a vulnerable lover who desires intimacy and seeks to praise his lover’s best features. Sabri’s addition on the record gives it a ethereal feel and also transforms the song’s sound.

Hello Habibi – One thing to deduce from “Ikigai” is the combination of instrumentals with the album’s production. Whether its piano chords or saxophones, the instrumentals have set a sonic atmosphere throughout the album. For “Hello Habibi”, a flute is heard underneath the record. This instrument addition which may be overlooked adds to the Asian aesthetic of the album title. In “Hello Habibi” which translates to “my love”, the artiste writes love letter to his lover.

Morowore – In the next track, Olamide delivers a unique Afro-adura song. Here, Olamide reflects on his journey and appreciates God for his help. In “Morowore”, Olamide interpolates Paul Play Dairo’s “Mo Wa Dupe”. With this record, Olamide expresses his gratitude and encourages listeners to never stop working hard.

Synchro System– For the closing record, Olamide collaborates with Pheelz, Young Jonn, and Lil Kesh, all who were the first members of YBNL. They have also influenced the soundscape of the Nigeria music industry. The artistes take their individual hit making prowess and transfer in into “Synchro System”. While they swagger around the thumping bass, they reminisce on their music journey. “Synchro System” reunites Olamide with Pheelz, Young Jonn, and Lil Kesh, creating a nostalgic and powerful end to the project that ties back to the theme of thanksgiving.

Final Remark

Across the 7-track project, Olamide reiterates his ability to deliver a stellar project. While “Ikigai Vol.1” might serve as a placeholder for Olamide’s next major release, it perfectly satisfies the cravings of music enthusiasts who have been eagerly waiting for new music from the artist. The EP also offers listeners a glimpse into Olamide’s current state of mind. As a man who has consistently created good music over the years, this project reaffirms his ability to produce outstanding records. “Ikigai Vol.1” stands as a thanksgiving project project in Olamide’s discography. Here, he celebrates his accumulated success through a cohesive theme of gratitude.

The decision to work with the same producer throughout the project might have risked repetitive production patterns, but Semzi dispels these concerns by delivering different production variants for each song. When the production responsibilities are shared with other producers, the quality remains consistently high, enhancing the overall appeal of the project. The collaborations with featured artists like Pheelz, Young Jonn, Lil Kesh, Asake, and Fireboy DML significantly add to the replay value. These partnerships not only evoke nostalgia by highlighting the old and new YBNL artists but also demonstrate that the sonic chemistry remains strong.